I'm surprised by how much people seem to be swayed by garish UIs. Price includes the iLok transfer fee of 25, and PayPal fees. And on day the plugins might just stop working and bugger all your old projects. I don't know if its all internally reliable with things like phase correlation. Trouble with freeware stuff and plugins for the master chain, for me anyway, is that ramming in loads of random 3rd party software is just risky. The first tool of its kind, Dialogue Match introduces all-new iZotope reverb matching technology - developed in collaboration with Exponential Audio founder and renowned reverb expert Michael Carnes - and leverages iZotope's acclaimed ambience and EQ matching tech, allowing you to apply the sonic attributes of one recording directly onto another. Live's Multiband compressor is just that, again I have no reason to think any free-ware is better. Its award-winning products and audio technologies are used by millions of people in over 50 countries, from consumers to musicians to major film, TV, and radio studios. If you want to do 12 dB of compression in your limiter stage maybe you need to rethink your mixing.ĮQ-wise I have no reason to think any freeware is going to better EQ8. iZotope is a research-driven audio technology company based in Boston, Massachusetts. The iZotope Elements Suite combines four powerful, award-winning audio technologies in one package: RX 10 Elements, Nectar Elements, Ozone 10 Elements, and Neutron 4 Elements. You can get Izotope Ozone 5 for 249 USD (the approximate price that you will pay for mastering five songs) or you can choose the Advanced version for 999 USD. If you have any questions about this product please do not hesitate to contact us. Live's limiter isn't awesome but if you use it within small compression ranges is good enough. Please Be Aware That Software Is Non-Cancelable and Non-Returnable. What you should look for is some good metering software first, span is pretty good (incidentally Izotope charge an even bigger amount for their metering add-ons which seem pretty good). The 'mastering reverb' is just.'reverb' and the spatializier stuff is superficial coloured distortion. Also the package seems to be designed and marketed for people to just throw up a few presets and vacuum pack their tracks, which Ozone isn't very good at. It is really just EQ, MB compression and a limiter, none of which are that good. At the risk of saying something controversial.
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